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The Love and Loss of the Quintanillas

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www.texasobserver.org – Francesca D’Annunzio – 2025-05-29 09:54:00


The documentary Selena y Los Dinos, directed by Isabel Castro, offers an intimate portrayal of Tejano superstar Selena Quintanilla and her family through unseen footage and interviews. Premiered at South by Southwest in Austin, the film reveals the Quintanillas’ humble beginnings, struggles with cultural identity, and their close-knit, down-to-earth nature. It captures Selena’s bilingual journey, early aspirations, and joyful moments with her band and family. The documentary thoughtfully focuses on the family’s grief and Selena’s enduring legacy, deliberately avoiding the story of her murderer. Fans at the screening enthusiastically celebrated Selena’s groundbreaking impact on Latino culture and music.

Tejano music superstar Selena Quintanilla has been gone for 30 years, but the late singer’s family issharing unseen footage of her life in a new documentary, which had its Texas debut at Austin’s Paramount Theater at this year’s South by Southwest festival.

Selena y Los Dinos is the first feature-length documentary film produced about the late singer and her family band. Directed by Mexican-American filmmaker Isabel Castro, the movie offers a tender portrait of the lives, love, and loss of the Quintanilla family. 

The film follows the family’s tribulations using a tapestry of decades-old intimate camcorder footage and recent interviews woven together. Some salient scenes include: the primary-school aged Quintanilla children rehearsing and making faces at the camera and Selena laughing alongside guitarist Chris Pérez not long before the two became a couple, stitched alongside a recent interview including his telling of their first “I love yous” exchanged in Laredo.

Archival footage brings viewers to Selena’s humble beginnings, from the foreclosure on the family’s home and restaurant in Lake Jackson after the decline of the town’s economy to a brief flash of a local social services office where the Quintanillas waited to file papers for food stamps.

The Selena statue in Corpus (Shutterstock)

In an interview shot inside a van chock-full of costumes, Selena giggles as she answers the question: “What’s your final goal?” Her answer was ready: “Mercedes Benz. I don’t care if I have to live in it!” she exclaimed, unaware of the fame and fortune that awaited her.

Castro’s depiction of Selena and the band reveals a goofy, down-to-earth family, even after they struck success. After signing a record deal, the two Quintanilla sisters filmed a tour of their California hotel room: “I am in Long Beach, California, lifestyle of the rich and famous!” Selena yelled, her arms splayed out as she posed in front of the building.

Photos and interviews carefully stitched together also explore the nuances of Tejano identity—the struggle of straddling two identities and two cultures—and the beauty, banality, and occasional blunders of being (or not being) bilingual. 

Abraham Quintanilla, Selena’s father, recalls stories of his youth growing up during an era of segregation and anti-Latino sentiment. Although Spanish was his first language, he struggled to speak it fluently decades later when the band was breaking into the Mexican music market in the ’90s. Growing up for part of their childhood in Lake Jackson, the small petrochemical town south of Houston, the children did not feel in touch with their roots, Selena’s brother explained in the film (though that changed when they moved to Corpus Christi).

In one early scene, a Spanish-speaking journalist interviews a teenage Selena, asking about how the band had made their costumes—white denim jumpsuits with bursts of multicolored splatter paint—to which she replied in English: “wet paint!” 

“And for the people listening in Mexico?” he asked her in Spanish, encouraging her to explain the provenance of the costumes in the language his audience spoke. “Los paint-amos,” she replied, which was immediately met with the journalist’s laughter.

Later in the film, Castro includes photographs of Selena’s Spanish studying materials, and archival media footage shows the late singer as a young adult confidently expressing herself in both languages in TV interviews.

As for the woman who murdered Selena in 1995, the film essentially ignores her altogether. The film’s exploration of the loss of Selena’s life focused on the family’s grief and the late singer’s legacy. Even 30 years after her death, Selena’s influence remains powerful, in Corpus Christi and far beyond.

As a non-Hispanic Texan with a deep appreciation of Tejano and Latin American music, raised far from South Texas in a Collin County suburb, what struck me most about this movie was the audience’s journey alongside the Quintanilla family. Throughout the film, attendees put their hearts on display. They cheered. They erupted in laughter. Some sobbed, as if Selena were, too, part of their own family. Any mention in the film of Selena breaking down doors for the Latino community, breaking the glass ceiling for women, or breaking into a bilingual music market just before her death was met with thunderous applause and shouts of joy.

As theater workers ushered us out of the Paramount Theater, fans paused for a moment to pose for photos or pay their respects to Selena’s now elderly father, who sat in a wheelchair by the exit. I’d joined a friend of mine and her mother at the screening. The mom, a proud Tejana who raised her kids listening to Selena, was among those who stopped to greet Abraham.

She leaned in. “Thank you for sharing your daughter with us.”

The post The Love and Loss of the Quintanillas appeared first on www.texasobserver.org



Note: The following A.I. based commentary is not part of the original article, reproduced above, but is offered in the hopes that it will promote greater media literacy and critical thinking, by making any potential bias more visible to the reader –Staff Editor.

Political Bias Rating: Centrist

This article presents a respectful and humanizing portrayal of Selena Quintanilla and her family without promoting a political agenda. It focuses on cultural identity, family struggles, and the legacy of the late singer through a documentary. The tone is largely celebratory and inclusive, emphasizing heritage and community impact rather than ideological positions. While it touches on issues like segregation and bilingual identity, it does so in a historical and cultural context rather than a partisan or political one. Overall, the piece is neutral and balanced in its coverage.

News from the South - Texas News Feed

Appeals court upholds Texas law limiting cities’ ordinances

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feeds.texastribune.org – By Colleen DeGuzman and Joshua Fechter – 2025-07-18 15:46:00


Two years after a court ruled Texas’ 2023 House Bill 2127 (“Death Star” bill) unconstitutional for weakening local urban policies, the Third Court of Appeals overturned that decision. The law restricts cities like Houston, Austin, and San Antonio from enacting ordinances conflicting with state laws, targeting progressive policies such as worker protections. Republican lawmakers and Gov. Greg Abbott argue it streamlines regulations to boost business, while cities claim it limits self-governance. Houston, San Antonio, and El Paso had sued to block the law. The appeals court ruled cities lack standing as no ordinance challenges have yet arisen, but cities plan to explore future legal options.

Appeals court upholds Texas law limiting cities’ enforcement of local ordinances” was first published by The Texas Tribune, a nonprofit, nonpartisan media organization that informs Texans — and engages with them — about public policy, politics, government and statewide issues.

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Two years after a district court declared that a new state law diluting the policy-making power of blue urban areas was unconstitutional, an appeals court on Friday overruled that decision.

Texas lawmakers in 2023 passed House Bill 2127, dubbed the “Death Star” bill by opponents, which aims to overturn cities’ progressive policies and prevent them from enacting future ordinances that aren’t aligned with broad swaths of state law.

The law prevents cities and counties from creating local ordinances that overstep state laws, such as those passed in Dallas and Austin mandating water breaks for construction workers.

The bill, long sought by Gov. Greg Abbott, marks Texas Republicans’ biggest attempt to undercut the power of the state’s largest metropolitan areas, home to the most Democratic-leaning constituents and leaders.

A month after the bill passed, Houston, later joined by San Antonio and El Paso, sued the state to block the new law, arguing that it deprived elected officials of the power to enact local ordinances on a broad range of issues, such as noise regulations and mask mandates. They also were concerned that the law made it so difficult for local leaders to self-govern that it would push them to propose fewer policy changes.

“What this means is that cities like the city of Houston cannot pass ordinances in these areas unless the state of Texas explicitly gives us permission to do so,” late Houston Mayor Sylvester Turner said in 2023. “That is a total reversal from the way things have been in this state for more than a century.”

A Travis County judge ruled in August 2023 that the law was unconstitutional, but on Friday the Third Court of Appeals overturned that decision.

In its ruling, the appeals court said it agrees with the state largely for two reasons: the cities failed to point to “sufficient concreteness” of how the bill would hurt them, and made a weak case for how the state is to blame for their concerns.

The San Antonio city attorney’s office, however, noted that the court dismissed the case because “cities don’t have standing to challenge” the law because “at this point, there have been no challenges to any of our ordinances under this statute.”

Texas Republicans and business lobbyists argued that the law works to untangle a confusing patchwork of local regulations that burden businesses and slow economic growth. After the bill passed, Abbott said the law prevents cities from being “able to micromanage businesses” which are “especially driving up the costs for local businesses.”

“We are going to have one regulatory regime across the entire state on massive subject areas that will make the cost of business even lower, the ease of business even better,” Abbott later added.

Earlier this year, lawmakers failed to pass Senate Bill 2858, which sought to add teeth to the 2023 law by giving the Texas attorney general the power to sue cities and counties for adopting local rules overstepping state laws.

The San Antonio city attorney’s office said it is in the process of reviewing legal options and is coordinating with Houston and El Paso to plan out next steps.

“While this decision dismissed the current case, it doesn’t prevent us from raising these constitutional issues again in the future if a specific challenge arises under HB 2127,” the office said.

Joshua Fechter contributed to this report.


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This article originally appeared in The Texas Tribune at https://www.texastribune.org/2025/07/18/texas-legislature-death-star-law-city-ordinances-limits/.

The Texas Tribune is a member-supported, nonpartisan newsroom informing and engaging Texans on state politics and policy. Learn more at texastribune.org.

The post Appeals court upholds Texas law limiting cities’ ordinances appeared first on feeds.texastribune.org



Note: The following A.I. based commentary is not part of the original article, reproduced above, but is offered in the hopes that it will promote greater media literacy and critical thinking, by making any potential bias more visible to the reader –Staff Editor.

Political Bias Rating: Center-Left

This article presents a detailed examination of a Texas state law that restricts local ordinances primarily in Democratic-leaning urban areas, highlighting critics’ concerns about the law undermining local governance and progressive policies. The coverage includes statements from Democratic city officials opposing the law and references to Republican lawmakers defending it, but the overall tone emphasizes the conflict predominantly from the perspective of local government opposition to state control. The Texas Tribune is known for thoughtful, fact-driven reporting with a slight progressive lean, reflected here in the framing and selection of quotes that underscore the challenges faced by urban areas under this legislation.

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Trump: Kimmel ‘next’ after CBS axes Colbert's 'Late Show'

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www.kxan.com – Steff Danielle Thomas – 2025-07-19 21:29:00

SUMMARY: President Trump criticized ABC’s Jimmy Kimmel after CBS announced the cancellation of “The Late Show with Stephen Colbert” for financial reasons, suggesting Kimmel is “next” and praising Fox’s Greg Gutfeld instead. CBS called the decision purely financial, but critics suspect political motives due to Paramount’s recent $16 million settlement with Trump over a lawsuit related to a “60 Minutes” interview and resignations of top CBS executives amid the controversy. Paramount’s planned Skydance merger also hinges on FCC approval. Fellow hosts, including Kimmel and Jimmy Fallon, expressed support for Colbert. The Writers Guild is urging an investigation into alleged political influence. The show ends in May 2026.

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Kyle breaks ground on 2 major roadway improvement projects

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www.kxan.com – Abigail Jones – 2025-07-19 12:16:00

SUMMARY: The City of Kyle has broken ground on two major transportation projects under its 2022 Road Bond Program: the extension of Kohlers Crossing to Seton Parkway and the widening of Bebee Road. These efforts aim to improve east-west connectivity and ease congestion. The $66.1 million Kohlers project includes a future underpass beneath I-35, while the $66.7 million Bebee project features a new four-lane road with a roundabout and future eastern expansion. Both projects will be completed in phases, with additional work starting in 2027. These are the second and third projects launched, following the Marketplace Avenue extension.

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